воскресенье, 20 декабря 2009 г.

Billie Holiday - God Bless the Blues - 1998


Billie Holiday - God Bless the Blues - 1998

01. Billie Holiday - Time on My Hands
02. Billie Holiday - I Hear Music
03. Billie Holiday - Practice Makes Perfect
04. Billie Holiday - St. Louis Blues
05. Billie Holiday - Loveless Love
06. Billie Holiday - Let's Do It
07. Billie Holiday - Georgia on my Mind
08. Billie Holiday - Romance in the Dark
09. Billie Holiday - All of Me
10. Billie Holiday - I'm in a Low Down Groove
11. Billie Holiday - God Bless This Child
12. Billie Holiday - Am I Blue
13. Billie Holiday - Solitude
14. Billie Holiday - Jim
15. Billie Holiday - I Cover the Waterfront
16. Billie Holiday - Love Me or Leave Me
17. Billie Holiday - Gloomy Sunday
18. Billie Holiday - Wherever You Are
19. Billie Holiday - Mandy Is Two
20. Billie Holiday - It's a Sin To Tell a Lie




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среда, 9 декабря 2009 г.

Charlie Parker - At Storyville - 1953


MP3 320kbps

Total time:41:08

RAR  94,15

genre:jazz

Label:Blue Note

Year:1953

covers included

1. (00:05:16) Charlie Parker - Moose The Mooche
2. (00:04:57) Charlie Parker - I'll Walk Alone
3. (00:04:27) Charlie Parker - Ornithology
4. (00:04:37) Charlie Parker - Out Of Nowhere
5. (00:04:19) Charlie Parker - Now's The Time
6. (00:05:02) Charlie Parker - Don't Blame Me
7. (00:02:31) Charlie Parker - Dancing On The Ceiling
8. (00:04:54) Charlie Parker - Cool Blues
9. (00:05:05) Charlie Parker - Groovin' High

At Storyville Album Notes
Personnel: Charlie Parker (saxophone); Herb Pomeroy (trumpet); Red
Garland, Sir Charles Thompson (piano); Billy Griggs, Jimmy Woode (bass);
Roy Haynes, Kenny Clarke (drums).

Recorded at Storyville, Boston, Massachusetts on September 22, 1953.
Includes liner notes by Bob Porter and an interview with Charlie Parker by
John McLellan.

Recorded at two 1953 Boston club dates, AT STORYVILLE is an album of
loose, energetic and mightily swinging music. The first half of the record,
which features the great pianist Red Garland in his only recorded date with
Parker, is slightly peppier than the later session. Garland is still developing his
style here, and his playing has a certain suaveness and bounce that reflects
the influence of swing era pianists like Nat "King" Cole. Parker is loose and
fiery, pushing the band ahead with a stream of energetic, serpentine solos.

On the second date, Bird's playing is somewhat more lyrical and subdued. He
does seem to perk up on "Cool Blues," however, perhaps spurred on by the
punchy, immaculately phrased trumpet work of Herb Pomeroy. While some
have suggested that Parker's talents were in decline in the '50s, AT
STORYVILLE was recorded less than two years before Bird's death and clearly
demonstrates he was still capable of playing with his typical humor, pure tone
and flawless feel.


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